How To Get Over an Art Plateau

2 of my paintings

When you are making progress on anything in any medium will naturally phase where it gets stuck in learning. When I started I was improving at a very steady and fast pace. The day I hit my first major plateau was a big disappointment for me. I did not know how to react and almost paralyzed all my career for some time. Eva thigh had teachers around me who told me what was going on, I still could not help feeling that maybe never would. Plateau that lasted for almost a year. Honestly, I could have gotten over that plague much faster if you knew what I knew now. So let me go about it.

1) Take breaks - I never gave a single prolonged interruption when he was practicing first. Some people argue that that's what you should do when you start to learn a skill. Put in enough mileage so that it becomes a habit. That may be great, but take periodic breaks every few hours can give space to breathe and digest to look at what you are doing. Programmed pauses that allows you to reset your brain and recover. If you are in the gym and work a muscle every day, it is not given time to grow and recover muscles much stronger. Do not keep banging your head against a metal wall, because it will not yield positive results but will leave scars. Look at the brain just sometimes need to be allowed to stop thinking, therefore, the recommendation for breaks. It could be in the form of a walk, a movie, spending time with loved ones or just sitting in the park, but whatever you choose, remember to take breaks.

2) Understand that are like elsewhere Everybody used to see certain students accelerate very quickly in class and become a great success early in his career. I used to see people as if they were something different than I do. It was an excuse he had created in my mind if I failed. I needed to understand that they were the same as me, and there was no excuse for failure. Once I realized if a person could do something, then I knew I was capable of doing so. So stop limiting yourself; in fact, if you really want to succeed as an artist, then you need to think of the impossible and dream bigger than you. You never feel that you can not achieve a particular thing; Remember, you are the architect of your life and there is no excuse for failure.

3) Have Fun - This was the hardest part for me. I do everything routine task. No matter what I've done in my life I have become work and you felt like work. This was something that was very difficult for me and still overcome times. Remember why you started to draw. It was about creating things out of my mind and leisurely fun with it. I started to take my ego into the equation and it was drawing to have a good result and not the drawing for the sake of drawing itself.

Well, you have to learn to enjoy art; that is, when you will be able to put more life into what will draw and you will be satisfied. So no matter how hectic your schedule might be, learn to just have fun with art and play a little because it reduces stress and opens the mind to new possibilities. So these are some things I got over my plateau in record time. I hope you found these tips helpful. And graphic happy.

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How to Be the Best Artist

Invader Zim Realistic Form

We all have different styles and different backgrounds to draw and paint. Some people are self-taught, some are trained somewhere. There are many differences, but there are many more similarities in my opinion. There is a basic level of learning that have the most professional artists. And there are ways to go about determining what will push along. That's one reason why I always recommend having a teacher or mentor, only someone from outside of himself that could help with advice on what you are too close to see.



1) Identify your weaknesses - This is something that will be obvious if you are a beginner. It might be a little difficult if you are a beginner. Again a teacher comes in handy for this. Think about what you draw the least. 2) Guidance weaknesses and train - Get all videos or tutorials you can and digest. And grab some scrap paper or a sketchbook not take care and repeatedly until you have a good idea of ​​how to draw from his mind. Learning the structure of something is the most important part of memorize. 3) Program - Something worn on the head when working on something new, I just feel like I could be finishing another project. However, programming can really do what you never feel anxious or strange in the drawing something that normally does not. 4) keep practicing -. Needless to say that 'practice makes perfect "and if you really want to improve in the art, then it has to be a habit Make it a part of you almost like a second skin so that the first thing on your mind when you wake up is the art and the last thing on your mind before falling asleep is art. you will discover that it will be easier with time and even yourself be surprised by the rapid progress you're making. All professionals go through this process. The process of decomposition and fragmentation little things to make big changes. You will discover what you need to improve immediately the resources to help. These resources could be out of himself. Creative people always want to do everything themselves. Simply are not enough hours in the day to learn on their own all aspects of the art game. A much smarter way would be to optimize their learning and take the most efficient route there. Resources that will help are the Internet, more advanced artists, and the opinions of outsiders. Remember that you will be there. The most important tool we have is honesty. Most people will lie to themselves and constantly be biased. The fairness opinion will help you improve. Overall, just keep an open mind so you are ready to learn new things as you go forward in your journey to become a better artist; then make sure you continue to push that you get to optimize their capabilities to any desired height. What can you do now to make everything so much easier? Immediately begin cleaning your workspace organized their supplies. And make a list of things you can do. The armadillo makes much more organized part of his life. If you are an artist who is a bigger part than you think. The bag can be purchased at a artist here. -Thank you

One Great Tip to Help You Draw

Cool Art Aproach

 Art is all around us and many people are engaged in particular in the form of drawing and painting; This article focuses on showing the major key to success in art. It is not so much a secret because it is hidden but a secret because many people seem to miss or ignore it and also because it does not receive enough emphasis is the purpose of this article- stress this secret.There is something seen in beginners and intermediate levels to be an artist, but especially in the intermediate level so that if these people were to use this secret, they will move to a higher level or go better to be an artist. With this secret, regardless of the object you draw, you get to shoot better.So, time to let out the bag of cat; the secret is simple and it is you think in 3D. This is something that will improve your drawing. Let's look at some examples. For example, say you try to draw a bug; as you go about it, you think in 3D while simultaneously focusing on the shape of the object rather than the drawing itself. You authorize the 3D thinking be paramount in your mind and allow you to express on paper. Basically, you think as you draw and it's almost like an action subconscious so why you should focus more on what is happening in your mind that you are drawing rather than the current scheme.Another thing that you can choose to draw a cube is such that you draw, you think in 3D space and the X-ray vision. You think "how can she stay? You must also think of all angles of the object as it will look more like it is sitting there. So the prospect is in it and then your general framework will be thinking in this 3D shape.One that you can choose new that really comes much is the form of character such that after the drawing, you feel the character will walk on the floor, and then you draw a floor to fit it all in 3D showing where his feet but many people will not do that especially beginners and it does look like the character is floating. Then you must ask yourself if this character can support its own weight so that if it is put in a 3D program or video game, it seems real.At this point, you might wonder how you will be able to accomplish this with your mind, so it's more like a structure you have in your mind rather than just a state of mind. One important thing to keep in mind is to think of other things in the landscape of your drawing and how they will relate with the drawing. This will be particularly useful to those in the media as it will definitely improve their drawing and with time, it becomes a part of you and a habit, and at this point, everything becomes easier.

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How to Draw Anything from Life

Something I do a lot with friends is I go out to draw at random locations across the city. It is intended to help us out of life. We draw people or animals or buildings. I wanted to talk about the differences in drawing from life instead of drawing an image. Since life is very similar to training with a weighted vest in physical exercise. It is more difficult to extract from life and I feel much more rewarding due to complete a more difficult task. When you are drawing a person who is constantly moving, which tells the brain that you only have a certain amount of time to capture the moment, so they tend to remember certain details better. A teacher once told me, pulling out of life is 80 percent what you know and 20 percent of what you see. You learn to draw what you are seeing first study and then go out, real life.

One of my prime locations in my city is the zoo. I go there to draw the animals to their own. If you do not know what you are looking for in their more than an exercise in how he's doing. You're drawing something on a "surfacy" level, in the same way to steal a pot. Learn the inner workings of a person or animal, can help you draw something much better, especially because most subjects are going to move. You do not have the time to think too much, you have to know some information beforehand.

Some things to consider in making a person be anatomy, slight perspective of the body, the body proportions and how the joints rotate, overlapping shape, and clothing, etc., which is not even all you need. When you learn all that on your own, it takes that knowledge and use it when you need to think fast. This will give you less things to know when you are watching a moving object and be able to extract from them a lot easier. So this is really the key to becoming a great in life drawing. I have rarely seen people do it without knowing in advance the vital information.

So when I have to think fast, I keep my artist pencil case supply sketchbook using arm-adillo. It is a perfectly designed artist bag now for drawing out house for art in motion.

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Harder Art vs Smarter Art

       This subject is something that I struggle with a lot, even to this day. Its the idea of pushing as hard as you can, or should you just study more intelligently. So for this I'm going to talk purely from my experience; 10 years of an art career. I started training in drawing/painting at age 19. I had no drawing background and my art was total garbage. I would see the advanced students in class and romanticize that if I could just do a tiny portion of they could do, that I would be happy. So I went insanely hardcore in training for about 2 years. Drawing was my life, and it absorbed every aspect of my social life to where I really had no social life, I hardly went out at all in fact. I stayed to myself and the friends I did have just stopped calling me. I improved extremely fast and then something strange happened..... I stopped improving. I completely got stuck at one level. And I saw others pass me by. I had hit a "plateau" as they call it.

The Pencil Bag that Helped Me

      Flash forward to when I was attending Art Center School of Design; They had us on a strict regime of art projects. Almost bootcamp-like. And I felt something I had not in years, I felt myself improve again. It was one of the hardest times on me mentally ever. They would give me a project I knew I could not do, and somehow I had to get it done in a few days.

        So why did I get better? Hindsight is 20/20. During my first plateau I put myself under intense pressure, but didn't know the way to get out of it. I was running my head into a brick wall and the pressure ended up eating me alive. What I should have done during that time would have been to pull back and relax a little bit. The reason I improved in Art Center was due to my teachers pushing me hard, but also guiding me in the right direction. That was the biggest different than in my first plateau. The quality of teacher was better at art center coupled with enforced regime. It pushed me through and I had no choice but to get better. It was both harder and smarter!

         During my time at art center I created my pencil case, the arm-adillo. I wanted to streamline everything in my life because I didn't have a lot of time to mess around. So I streamlined everything including my cool artist bag. It was created when I was working my hardest at Art Center. I thought if I could just strap my pens to a book or my wrist I would be more organized overall. This worked great and I've been selling them steadily ever since. check them out at: http://arm-adillo.com/video.html